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March 3, 2021

Bassnectar Confirms Fall Tour Dates

first_imgAfter a ground breaking set at Camp Bisco XI, Bassnectar, has confirmed a 28-date Fall tour, that will see him bring his brand of heavy from the east to west coast over a two month stretch.  Lending opening support to the majority of dates on his tour will be Gramatik and Gladkill, while Ghostland Observatory, Zedd, Dave Nada, Griz, and  Secrets will all make an appearance along the way.Dates for the tour are below, and to purchase tickets click here. Bassnectar Fall Tour9/27 – Greensboro Coliseum – Greensboro, N.C.9/28 – CounterPoint Fest – Fairburn, GA#9/29 – Sugarcane Village – Baton Rouge, LA^10/3 – Lifestyle Communities Pavilion Indoors – Columbus, OH10/4 – U.S. Cellular Coliseum – Bloomington, IL10/5 – Burcham Park – Lawrence, KS10/6 – Bass Center VII – The Chaifetz Arena – St. Louis, MO10/8 – Jackson Convention Complex – Jackson, MS10/10 – Riverfest Amphitheatre – Little Rock, AR10/11 – Tulsa Convention Center – Tulsa, OK10/13 – Austin City Limits Fest – Austin, TX ­^10/17 – Marquee Theatre – Tempe, AZ10/18 – The Palladium – Los Angeles, CA10/20 – Bill Graham Civic Auditorium – San Francisco, CA with Ghostland Observatory10/24 – Summit Pavilion – Reno, NV10/25 – Revolution Center – Boise, ID10/26 – Rose Quarter – Portland, OR10/27 – UBC Thunderbird Arena – Vancouver, B.C.10/31 – Big Four Building at Stampede Park – Calgary, AB11/2 – Concert Hall at The Venue – Fargo, ND11/3 – Target Center – Minneapolis, MN with Zedd11/5 – Stage AE – Pittsburgh, PA11/7 – The Fillmore Detroit – Detroit, MI# with Secrets11/8 – The Fillmore Detroit – Detroit, MI^ with Dave Nada11/15 – Mullins Center – Amherst, MA11/16 – Wellmont Theater – Montclair, NJ11/17 – Terminal 5 – New York, N.Y.^ with Griz11/18 – Terminal 5 – New York, N.Y.#^ without Gramatik# without Gladkilllast_img read more

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March 3, 2021

Five Acts Not To Miss at Bear Creek Music Festival

first_imgHeadtronics – Friday, 9:15PMIf you haven’t heard of Headtronics, it’s because they are one of the newer funk groups to infiltrate the scene. Somewhat of a supergroup, the band consists of Steve Molitz of Particle, Chris ‘Freekbass’ Sherman of Freekbass, and turntablist DJ Logic, who has played with everyone from John Mayer to moe. The trio formed at last year’s Universal Church of Love and Music Funk Festival, and have been playing together ever since. Be sure not to miss this rare appearance.Nigel Hall and Alecia Chakour – Saturday, 1:00PMThe Royal Family Affair will take place all day Saturday, featuring everyone from Royal Family Records on stage at some point during the day. But don’t sleep late, as the soulful Nigel Hall will take to the keys with up and coming vocalist Alecia Chakour, (recently featured on L4LM as five women to keep both eyes on) for a set that will surely make you rise and shine. Both performers are solo artists who have been popping up and Royal Family events over the past year, and this early set will surely be a chance for each to shine.Mike Dillon Band – Saturday, 9:15PMMike Dillon has played with a who’s who of funk bands over the years, including Galactic and Karl Denson’s Tiny Universe, not to mention being a member of Les Claypool’s Fancy Band, Garage A Trois, and the Dead Kenny G’s. The percussionist is also known as a band leader, and he’s sure to lead his solo band to a funky set of music that should not be missed.Digital Tape Machine – Saturday, 11:15If your a fan of Umphrey’s McGee, you’ve probably heard of Digital Tape Machine – if not, then let me introduce them. Digital Tape Machine consists of Kris Myers and Joel Cummins of Umphrey’s, joined by a host of other Chicago area musicians to create an electronic music project that has been getting much attention lately. The group draws from all areas of electronic music to create a unique, almost video game sound, that keeps crowds beaming with excitement. This is one of the few chances to have an all out electronic dance party at Bear Creek!The Royal Family Dumpstajam, Saturday 12:00I may be wrong, but this may be the first time this ensemble of musicians take the stage together. The Royal Family Dumpstajam will feature members of Lettuce and Dumpstaphunk on stage together, creating a funk superjam unlike anything seen before. Both groups are individually responsible for bringing funk back to the forefront of the jam scene, but together they are sure to be an unstoppable force. This may be a once in a lifetime jam session – do not miss. Justin CharlesOver three hundred years ago, Native Americans from the Choctaw Tribe found a young bear cub nearly drowning in a nearby creek in Live Oak, Florida. The Native Americans sprang to action, recovering the cub and raising him as their own. The cub grew into a mighty bear, protecting the tribe from enemies who would infiltrate the area. When the bear finally passed away, the tribe named the creek in which he was found ‘Bear Creek’ in his honor.Even though none of that is actually true, people still flock to Live Oak, Florida every year for the ‘Bear Creek Music Festival’, which has recently gained a reputation as one of the better funk-centric festivals in the country. While this festival has recently branched out to include multiple genres, Bear Creek has stayed true to their jam and funk roots this year, creating a safe haven for those who wish to purely enjoy their favorite brand of music.This year’s festival is shaping up to be one of the best yet, featuring a stacked line-up of Bear Creek vets and new artists. With so many acts spread over four days, it’s easy to miss someone great. That’s why Live For Live Music has picked out a few key artists you shouldn’t overlook at this weekend’s festival.last_img read more

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March 3, 2021

Deftones Announce 2013 Tour Dates

first_imgDeftones will continue to support their latest album Koi No Yokan with an extensive world tour in 2013, including a newly announced North American leg that spans all of March. Check out the full docket below, along with Rock It Out! Blog’s recent interview with the band.They will be making up a re-scheduled date at NYC’s Terminal 5, which was cancelled due to Hurricane Sandy, and will be making an appearance at Huntington’s Paramount Theatre.  Tickets for shows can be purchased here.Deftones 2013 Tour Dates:02/15 – Glasgow, UK @ Barrowland02/16 – Nottingham, UK @ Rock City02/18 – Manchester, UK @ Manchester Academy02/19 – Birmingham, UK @ O2 Academy02/20 – London, UK @ O2 Academy Brixton02/22 – Paris, FR @ Le Trianon02/23 – Paris, FR @ Le Trianon02/25 – Hamburg, DE @ Grosse Freiheit02/26 – Berlin, DE @ Huxleys03/04 – Rochester, NY @ Main Street Armory03/05 – Boston, MA @ House of Blues03/06 – Huntington, NY @ Paramount Theatre03/09 – New York, NY @ Terminal 503/10 – Montclair, NJ @ Wellmont Theatre03/12 – Stroudsburg, PA @ The Sherman Theatre03/13 – Norfolk, VA @ The Norva03/15 – Charlotte, NC @ Fillmore Charlotte03/16 – Myrtle Beach, SC @ House of Blues03/17 – Atlanta, GA @ The Tabernacle03/19 – Miami, FL @ Fillmore Miami Beach03/21 – St. Petersburg, FL @ Jannus Live!03/22 – Orlando, FL @ Hard Rock Live03/23 – Mobile, AL @ Soul Kitchen03/25 – Baton Rouge, LA @ The Varsity Theatre03/26 – Corpus Christi, TX @ Concrete Street Amphitheater03/27 – Pharr, TX @ Pharr Entertainment Center03/29 – Austin, TX @ Austin City Limits03/30 – Houston, TX @ Bayou Music Center05/11-12 – Chiba City, JP @ Ozzfest Japan08/23-25 – Reading and Leeds, UK @ Reading and Leeds FestivalsHere is an audio version of the single “Leathers” from Koi No Yokan:last_img read more

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March 3, 2021

Umphrey’s McGee Electrifies the Brooklyn Bowl in London for Three Nights

first_imgOn September 6, 2011, I saw my first Umphrey’s McGee show from the Brooklyn Bowl in Williamsburg.  Three years and many shows later, I found myself 3,000 miles from Wythe Avenue at the hybrid bowling alley/concert venue. With England playing their World Cup match against Uruguay at the same time the band was set to hit, one should have expected a thin crowd, though no one could have anticipated the intimacy of the show.  With a crowd more akin to an early Benchwarmer’s gig than a show in 2014, it created a fascinating atmosphere that was overly friendly—and comprised of mostly Americans who made the trek across the pond for these shows. Coming out onto the stage a few minutes before 9 p.m., the band strolled out to “Cat Shot” before segueing into “Mulche’s Odyssey.”  While stretched a bit beyond it’s normal length, the band first flexed its improvisational muscles on “In the Kitchen.”  During the “In the Kitchen,” guitarist and “lead” singer Brendan Bayliss took the opportunity to insert a vocal “Jimmy Stewart” into the fan favorite.The “Jimmy Stewart” is the band’s take on improvisation.  The name took hold from when they found a new approach to jamming where they shifted keys, tempos and from major to minor using a series of hand signals that first took form in the Jimmy Stewart meeting room at a hotel in Pittsburgh when they were jamming late one night toward the beginning of their career.  The jams that come out of “Jimmy Stewarts” are almost always the highlight of the shows with guitarist Brendan Bayliss ocassionally adding lyrics that he’s written on the road or improvised lyrics that may find their way into a song.After a nearly 15-minute take on the Anchor Drops classic, the band took the first opportunity of the weekend to play a new song, “Loose Ends.”  While “Loose Ends” has been in rotation for many years, it has taken until Similar Skin for it to find a home on an album.  Admittedly not my favorite song Umph song, Bayliss’ vocals shined through nicely on the soulful number.Seguing out of “Loose Ends” was one of the oldest songs in the UM catalog, “Out of Order.”  With much of the crowd coming from thousands of miles away and having been seeing the band for years and years, this song elicited one of the most genuine and excited reactions of the night as the intricacies of the song were swayed along to by the crowd as each twist and turn of the number brought increasing amounts of joy to the ardent fans.Segueing again, the band then moved into “Day Nurse,” an instrumental song that has one purpose—to get the crowd to dance.  And with plenty of room to move, dance they did, as for eight minutes, the crowd lapped up keyboardist Joel Cummins’ sultry synth lines.To close out the set, the band played my favorite song in the Umphrey’s catalog, “Der Bluten Kat.”  The song features numerous sections and has been a staple for the band for well over a decade.  With a section of the tune quoting Mozart’s “Symphony #40 in G Minor,” the song moves into heavier parts before settling into a strong groove.Before the set was over, the band had more to say, playing “Final Word,” a song which came from a vocal “Jimmy Stewart” in 2005 during “Der Bluten Kat” before making its way back into the final section of “DBK.”For round two, improvisation was king as they opened up the set with a slow building “Nothing Too Fancy,” before dropping into “Ocean Billy.”  While “Ocean Billy” is almost always used as a jam vehicle, this version had a little extra something to it as guitarist Jake Cinninger pushed out a thick tone from his G&L guitar to give the song a little more “umph” (pun intended).The next segment was opened with “Intentions Clear,” which featured some good improv before segueing into relative rarity “Eat.”  The next highlight of the night came in the next two songs as “Conduit” off Death By Stereo gave the fans in attendance and those watching at home on the stream a dark, driving jam.  While not the longest jam of the night, it more than did the trick as in just a few minutes, the band explored multiple themes before closing out the song. The lone cover of the night came next as the Talking Heads’ “Makin’ Flippy Floppy” produced a loose, funky piece of improvisation that settled into a groove and refused to let go for more than a dozen minutes.After a fan yelled “one more song,” bassist Ryan Stasik retorted, “how about three?” showing the intimate nature of the show and prompted the band to play “The Floor,” another off Death By Stereo.For the band’s encore, they opened with the Steely Dan-esque “Comma Later,” which has found its improvisational legs after numerous “standard” versions.  With a “Nothing Too Fancy” tease nestled in (as well as Ted Nugent’s “Stranglehold” tease), one knew what was coming out of this jam as the final notes of “Nothing Too Fancy” capped off the phenomenal first night of music.With one night in the books and twice as many people in the crowd (we went from less than 100 to closer to 200 on Friday night) Umphrey’s McGee strode out onto the stage for round two from the Brooklyn Bowl London.After an improvisationally heavy show for night one, night two went a different direction, opting for more “straight ahead” versions of songs, though that isn’t to say there weren’t improvisational highlights throughout the show.Night two also had the distinction of featuring an “All Night Wrong” set, which is comprised of only covers, bringing them back to the early days when they were playing to roughly the same number of people in South Bend, Indiana.Right at 8:45, the band came out to “Nipple Trix,” one of the band’s intros, before launching into “Mantis,” a song not typically seen in the opening slot.  While “Mantis” did not see any real improvisational forays, it was notable for not being split, as typically the band will tackle the complex composition in two halves.Up next came “Bad Friday,” a song that originally stemmed from a session at their “sUMmer School” event and debuted on this past New Year’s Eve.  While the song has been in heavy rotation throughout the course of 2014, it has taken until Friday night for it to really find itself as a vehicle for improvisation.Stretching beyond the 13-minute mark, “Bad Friday” was easily the best jam of the night, settling into a groove and then moving out while each band member had their time in the sun.After a short take on “Rocker Part 2,” the band played “Booth Love,” which featured an extended intro and then a nice jam that followed.  To close out the first set, the band sandwiched “Puppet String” with “The Triple Wide” in the middle.For this little sandwich, the band began teasing “The Triple Wide” halfway through “Puppet String” before actually launching into the song.  Inside “The Triple Wide,” the band nestled teases of Fleetwood Mac’s “Rhiannon” and Ozzy Osbourne’s “Crazy Train” into the band’s most electronic offering before ending the set with the head-banging outro of “Puppet String.”Set two, the aforementioned “All Night Wrong” set, gave new fans a chance to recognize some of the material, but it also hindered some of their improvisational momentum they’d been building throughout the first three sets of the run. To open up the second frame, the band played a spirited take on the Jimi Hendrix classic, “Power of Soul.”  The song has spawned a number of great jams throughout the times that Umphrey’s has played it and this rendition was no exception, providing a rare piece of improv in the second set. After teasing it in “Power of Soul,” the band then played The Wings’ classic, “Live and Let Die.”  This would begin the trend of playing songs that were nearly universally recognizable in their standard forms, not really taking any for a walk.Covers of Led Zeppelin (“The Song Remains the Same”), The Police (“Driven to Tears”) and David Bowie (“Let’s Dance”) followed before the band put their improvisational hats back on for the pairing of ZZ Top’s “Cheap Sunglasses,” which segued into Pink Floyd’s “Shine On You Crazy Diamond.”For the last two songs of the set, the band played Van Halen’s “Hot For Teacher,” which featured spot-on vocals from drummer Kris Myers before guitarist Brendan Bayliss took the lead on Steely Dan’s “Reelin’ in the Years” to cap off the all-cover set.In the encore slot, after playing over an hour of other people’s material, took the opportunity to showcase some of their own songs.  To start things off was “Cut the Cable,” which has been around for a while in a different context; however, the new arrangement that finds a home on Similar Skin has a much heavier feel to it and works well in a live context.To end the show, the band played “The Linear,” also off Similar Skin but has seen heavy play since its debut in 2010 before seguing into a show-closing take on the always-appreciated “40’s Theme.” While not the greatest show musically, Friday night’s show certainly had something for everyone as both the jam in “Bad Friday” and in “The Triple Wide” certainly merits a listen.  Furthermore, the second set got the crowd of The Eagles fans who had trickled in throughout the night (as they were playing in the O2 Arena in the same complex) into the music and probably earned themselves a few fans.While night one had some great moments and night two was an extremely fun show, the band saved the best for last as their Saturday show brought the house down from start to finish.Once again coming out right at 8:45, the band strolled out to “There’s No Crying in Mexico” before seguing into the title track off their new album, “Similar Skin.”  The song, which was derived from four different improvisational segments: “August” from 10/20/12, “Theresa” from 4/27/12, “Miami Virtue” from 2/12/12 and “FF” from 9/24/11.The band then played an old song that just made its way onto an album with “Bridgeless” in an atypical slot for the jam vehicle.  While far from the jam of the year, the band took a patient approach and stretched “Bridgeless” out a bit before seguing into the jazzy “Professor Wormbog.At this point, the next 45 or so minutes of the set were uninterrupted as the band opened the segment up with the jam vehicle “Plunger,” playing just the beginning before moving into the reggae-upstrokes of “Higgins.”  “Higgins” featured a really nice jam that kept going for a while before moving back into the castanet fueled outro of “Plunger.”Without pause, the band moved from “Plunger” into fan-favorite “2×2,” which featured a nice solo by Brendan Bayliss before moving into the hard-rocking outro of “Bridgeless” to close out the first set.While the first five sets of the run may not have featured the kind of mind-melting jams some fans are accustomed to, that changed as the band came out for their sixth and final set of the weekend.As the opening chords of “All in Time” rang out, little did the crowd know that for the next 25 minutes, they weren’t going anywhere.  This rendition of the song could easily be considered jam of the year material on par with the version from the Beacon Theatre in January as the band put their collective foot on the gas pedal and didn’t let go for nearly a half-hour. Following that up was the mashup “Life During Exodus,” which combines the Talking Heads’ “Life During Wartime,” Bob Marley’s “Exodus” and Frank Zappa’s “City of Tiny Lites.”  The mashup, which was debuted as a part of their Halloween run in 2012 at the Riverside Theatre in Milwaukee, has made more appearances than the average mashup as its taken on a bit of a life of its own.Up next for the band was “1348” off Mantis, which didn’t get too far out of the batters box before segueing into “No Comment.”  To close out the show, the band pulled out “Ringo,” a song that almost always delivers a phenomenal jam.  While there was nothing particularly outstanding about this version, by this point, every single person in the venue, whether or not they’d seen the band before, was hooked.  To close out the set, the band segued back into the outro of “1348.” For the encore, the band brought out Manny Sanchez, who co-produced Similar Skin and has worked with the band for years at this point to sing the Misfits’ “London Dungeon,” which led to quite a few confused faces throughout the crowd.  To cap off the three-night run, the band played “Miss Tinkle’s Overture,” a heavy rotation staple, which brought the crowd to a fever pitch to close out the show.Overall, these were three unique shows in terms of venue, size of the crowd and location.  While I wouldn’t expect to see Umphrey’s play across the pond any time soon, these were three shows I will never forget and are well worth checking out on tape as there are plenty of moments throughout all three shows worth giving a listen.Words: Brian Weidy (@frostedweidies) Photos: Jake Diamondlast_img read more

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March 3, 2021

Incubus Announces Plans For New Album, Tour in 2015

first_img90’s rock band Incubus has revealed plans for a new album, and a North American tour in 2015. The announcement came via Facebook, where the band posted the following: Additionally, guitarist Mike Einziger said, on Radio.com, that, “our plan as of now…is to put new music out probably early enough in the year that we would be set up to go out and do full touring in the summertime of next year.”While no dates have been scheduled, and no official album release has been announced, these quotes certainly indicate that the band is planning something big for 2015. We’ll be sure to update when more information is available.-David Melamed (@DMelamz)last_img read more

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March 3, 2021

‘The Tauking McGee’: Umphrey’s McGee and TAUK Team Up for Late-Night Show

first_img‘The Tauking McGee‘ a collaborative effort between Jake Cinninger and Joel Cummins of Umphrey’s McGee, along with TAUK and other special guests will play a late-night benefit show in Asheville this Saturday, February 7th at the Asheville Music Hall, after UM headlines the Asheville Civic Center. The show will benefit struggling musicians across the region, with all proceeds from the show going towards the fund.All advanced tickets have been sold out, but an allotment will be made available at the door. This is a 21 and over event, with doors opening at 11pm, and Makayan opening the show.Tauk is currently opening a number of dates for Umphrey’s McGee on the band’s current Winter Tour. Live for Live Music is currently keeping track of Umphrey’s tour, check out the Tour Log for some interesting tales from the road.last_img read more

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March 3, 2021

Nevilles Forever: All-Star Lineup To Bid Farewell To The Neville Brothers

first_imgThe Neville Brothers have been a mainstay in NOLA/funk music since the 70’s, and now the four brothers are reuniting to bid a fond farewell to their legacy. All four members, Aaron, Art, Charles, and Cyril, will be on hand for Nevilles Forever: A Celebration Of The Neville Brothers And Their Music, on May 2nd at the historic Saenger Theatre in New Orleans.Considering the brothers’ last performance together was at the Hollywood Bowl in 2012, this NOLA tribute will be a fitting send off for these fantastic, influential musicians. Directed by the great Don Was, the show has already announced a stacked lineup, with Widespread Panic, Trombone Shorty, Galactic, Allen Toussaint, Irma Thomas, Terence Blanchard, Ivan Neville, John Boutté, Anders Osborne and Ian Neville all slated to perform.A statement from Was reads: “The Neville Brothers are the royal family of New Orleans funk. Individually each brother is a musical powerhouse unto himself, but when they play together they create musical magic. The fact that they’ve come home to New Orleans for this show makes it all the more special.”Tickets for the event go on sale this Monday, February 16th, at 10 AM central. More artists are expected to be announced within the coming weeks, so don’t sleep on these tickets!last_img read more

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March 3, 2021

Bill Kreutzmann To Appear At Cannabis Cup

first_imgBill Kreutzmann will be on hand at the Denver Cannabis Cup event, to discuss his forthcoming memoir Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead. Alongside co-author Benjy Eisen, High Times has announced that Kreutzmann will make an appearance and sign copies of the book at the Denver Mart on Saturday April 18th.Grateful Dead’s Bill Kreutzmann Shares Details About Tell-All MemoirThe memoir will officially be released on May 5th. Kreutzmann is in town for a handful of performances, including a show with Mickey Hart and The Disco Biscuits on April 17th at Red Rocks, and with Billy & The Kids on April 20th for a “Spring 1990 Revisited” performance.last_img read more

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March 3, 2021

Disc Jam Changes Venues, Adds Electron To Lineup

first_imgThis summer’s Disc Jam Festival is attracting more attention than ever before, prompting the festival’s organizers to relocate to Stephentown, NY. The new site, Gardners Farm, will be able to accommodate more people, which the fest feels is a better option than turning people away. For those disappointed at the relocation, the festival will be offering full refunds.To celebrate the move, Disc Jam has announced that Electron will be performing. Comprised of Mike Greenfield (Lotus/Stratosphere All-Stars), Tom Hamilton (American Babies/Joe Russo’s Almost Dead), Marc Brownstein and Aron Magner (The Disco Biscuits), Electron will bring their jamtronica goodness down to the new festival site this summer.Disc Jam is held from June 11-14, now in Stephentown, NY. The lineup currently includes Lettuce, Dopapod, Twiddle, Kung Fu, Cabinet, Consider the Source, Soule Monde and more! For more information, head to the festival’s official website.last_img read more

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March 3, 2021

Landmark Music Festival In DC Reveals Impressive Inaugural Lineup

first_imgThe Landmark Music Festival in Washington DC isn’t messing around for its inaugural year. The festival to benefit the National Mall, which is in great need of maintenance and restoration, boasts an extremely impressive line-up, which is sure to push this important cause over the top. Drake, The Strokes, and Alt-J will headline the festival.Artists such as CHVRCHES, Chromeo, Band Of Horses, The War On Drugs, Dr. John & the Nite Trippers, Dan Deacon, Rebirth Brass Band, London Souls will be taking the stage, as well as many other talented acts. The festival will take place on September 26th and 27th at West Potomac Park. Early Bird 2-Day passes are available for purchase now on the festival’s website.Check out the full line-up below! – Marisa Frydman (@musicalmarisalast_img read more

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